Om
(1986) 4 mins. Colour. Sound. 16mm.
"This four minute film explores our response to stereotypes - aural, visual and ideological. Smith signals these stereotypes to the viewer through a chiefly associational system, which deftly manipulates the path of our expectations. The structure is stunningly simple and deceptively subtle. We are taken on a journey from one concrete ...
“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and pun...
"John Smith's Leading Light evolves a sense of screen depth and surface through the simple agency of light. The film is shot in a room over a period of a day and records the changes in light through the single window. The image is controlled through manipulation of aperture, of shutter release, of lens, but the effect is more casual than determined and the spectator is aware pr...
Worst Case Scenario is constructed from hundreds of still photographs depicting daily life on a Viennese street corner. Shot over the course of a week from a window overlooking the scene, the film explores the ambiguities of its images, developing themes that focus upon watching and being watched, distance and uneasy proximity. As the static world of the photographs gradually c...
The building of the M11 Link Road in East London provoked a long and bitter campaign by local residents to protect their homes from demolition. Blight was filmed during this period, while houses were demolished and land cleared. Using recordings made of people's reminiscences, the score incorporate fragments of speech and natural sounds. The film is based on real events which t...
artist—with a career spanning half a century and more than 60 films, video works, and installations—John
英国有史以来最好看的美食纪录片。
幽默滑稽的描写了一个导演试图控制在他镜头前出现的一切。
导演约翰·史密斯于英国首次封锁期间,透过自家窗户拍摄了这部纪录片,节选了英国首相鲍里斯·约翰逊就新冠病毒发表的演说,与伦敦天际线的景色相结合。政府的决策将商业利益置于公众健康之上,且权力中心实则在伦敦金融城,而非议会。片中的伦敦既恐怖又美丽,瞬息万变的光照,在建筑物上呈现出变幻莫测的效果。镜头从闪闪发光的摩天大楼,移向淹没在其巨大阴影中的密集住房。代表着企业权力的千楼一面的大厦,与千差万别的个体生活形成了强烈对比。